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Feature Article

At Loggerheads:

Conservationists in Dispute


Taiwan is probably best known for its colossal national parks and native bird species; but deep in the heart of New Taipei lies a very special and locally famous little village.


The village of Houtong, which literally translates as "monkey cave", is steeped in a rich and slightly bizarre history. Legend has it that monkey's once lived in the surrounding caves prior to the construction of the railway and associated 1920's coal mining infrastructure. Today, however, the old mining facilities have been left in disrepair, and the village now prides itself on its love for stray cats.


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In 2008, a local cat-lover began caring for Houtong's stray cat population - finding likeminded neighbours to help in her pursuit. The cat population soon began to grow, and thanks to the wonders of social media, the village is now locally famous for its overwhelming cat population. The local human residents are very proud of their collective achievements. A local cafe owner proudly claims that there are twice as many cats here as humans, and that she set up her cat-themed outlet ("Hide & Seek") in 2014 after she noticed more and more people visiting the village.


So - how does this relate to architecture and urban wildlife? Are these cats really wild; and is the local infrastructure really affecting their ability to thrive? The cats are formally stray but are communally cared for - and I would argue that the rise of this phenomenon is as natural as any other natural process one might find in the remote national parks that surround Houtong. The local human residents are equal actants in this ecological network - feeding and caring for the cats and developing their own unique culture and co-living habits. Social media, too, is a natural ecological force in this network. The villagers find economic incentives from this as they sell cat-themed trinkets and toys to cat-loving tourists - but their intrinsic motivation to care and cohabit is what sustains the relationship.


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The modern urban landscape is often treated as a ring-fenced space, cleansed of nature, controlled, gardenised, and dominated by humans. Houtong has opened its doors (quite literally, the cafe owner paused mid-conversation to let in three local feline residents) to nature - or at least a selective staging of its processes. The dilapidated coal dressing plant now serves as a central sleeping station for the cats as they find pockets of shade in the ruins. They appear to prefer this informal settlement to the formal cat-houses that line the streets nearby, but I am assured that the houses are used occasionally when food is placed in them.


This unique collective of cat-lovers are paving a new path for cohabitation, but perhaps a more flexible and modular approach is required if the Houtong phenomenon is to be scaled up and replicated elsewhere. Here's to the feline metabolist movement!







The future of urban wildlife in the 21st century is open to extreme speculation and debate. For many architects and urban planners, the expansion of urban wildlife must be sculpted, staged, and optimised in line with the sustainable growth of our cities. This data-driven approach to urbanity has local and global politics, economics, and technology at its heart. And the urban landscape now beats rapidly to the pulse of commodity exchange. Gardens and parks have become commodified theatres of nature - and captivity is no longer confined to the pits and fences of zoos.


The captive cultivation of endemic and exotic species has a long and tumultuous past. But in the age of the anthropocene, where everything is controlled by us humans in one way or another, we must accept that our cities have become colossal zoos in their own right. The question of 'what is natural?' is becoming less relevant as we begin to ask:

what can be natural?


A healthy relationship between naturalists and designers will be imperative as we begin to compose the answer(s) to this question. But we must be creative and experimental if we are to avoid the traps of an urban ecology that is intrinsically tied to economics (i.e - green consumerism). Sustaining architecture in the face of 'sustainability' will be no small task for designers and naturalists alike. But this series, entitled 'East of Eden', aims to do just that. By focusing on the wildlife that thrives within our growing mega-cities; the project will serve as a retroactive manifesto for urban planning.


Seeking out both conscious and serendipitous designs that support cohabitation within our growing cities - the project aims to promote the growth of the urban landscape not with nature; but as nature.





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© 2023 by Steven Hutt

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